I used a combination of old cameras, animation, and over-cranked saturation to give this video the feel of jumping through channels on an analog television.  We filmed part of the video out on the street with a DV camera and rest of the video against a green screen, so that Carrelle could perform amidst an animated video collage.  Frank W. White IV then used an analog glitch synth to distort sections of the video and we refilmed them in 4K off of an old analog TV screen.  Any untreated DV footage was also upscaled to 4K to show off the strange beauty of analog imperfections.